![]() The XLR out makes the Orange Crush a practical recording tool. The reverb is digital, a veritable Apple Watch on a caveman’s wrist, but it’s a nice spring reverb that gets good and splashy at extreme settings. With sounds that challenge many good valve amps and stay consistently good night after night, not to mention effects that are as good as those on many pedalboards, the Katana Artist is a tempting proposition for creative pro players as well as the function band guys who need a range of authentic presets.Īll of the amp tech is analogue here, and the vibe is very much like that of a valve amp in terms of response. The headroom is exceptional, and this is an amplifier designed to give you glassy cleans if you want them, before turning you onto the sort of big-beast classic Brit rock tones on which the brand made its name.Īvailable in head form or in a variety of combos – including a 100-watter like the Orange Super Crush – the Silverline is an exceptional digital amplifier with a state-of-the-art performance that lets you select your power tube emulation. But Orange is conscious of maintaining control over the sound. Hence the ‘Red Back’ making a sound choice of speaker. Orange Super Crush 100 1x12 combo: Performance and verdict Finally, inside that birch-ply cabinet, you will find a 12” Celestion ‘Red Back’ G12H-150 driver, a 150-watt rated speaker with an oversized 2” voice coil and Celestion’sheaviest G12 magnet. There are a few modern digital improvements brought to bear on the design, too, such as the XLR out with cab sim tech, allowing you to run it digitally virtually as a 2x12, plus there’s a switchable Cab Back setting, allowing you to simulate open and closed-back cabinets. It’s a potent combination, delivering what Orange describes as four stages of gain, an analogue sound to rival its tube amp rivals, while also making a stable tonal platform for your pedalboard via a transparent buffered effects loop. Amp for live and in the studio“.Under the hood, things get interesting, with the Orange Crush 100's two channels serviced by a JFET preamp and then going through the Class A/B power amp of Orange’s Pedal Baby 100. Ty Tabor (Kings X) commented on the Super Crush 100 “ This Is the very best transistor amp made… period. The compact 1×12 combo boasts a Celestion G12H-150 speaker giving it a hard-hitting, classically British voice. The additional rear Cab Back switch offers the choice of an open or closed back sounding cab. The Super Crush 100 features a balanced XLR output with Orange’s CabSim speaker emulation technology giving instant access to great D.I. The Dirty Channel boasts four cascading stages of proper Orange gain and the Clean Channel is a bright, vintage-flavoured, two-stage design with plenty of headroom, keeping clean tones shimmering and clear at any level. From high-headroom clean to high-gain metal, every sound ever needed is dialled in with ease, thanks to a versatile circuit and intuitive simple control layout. ![]() Two completely independent, all-analogue preamp channels give instant access to a whole spectrum of warm, valve-like tones. It uses the same 100 Watt Class A/B power amp as the Pedal Baby and combined with the 2-channel JFET preamp design, it provides masses of authority and musicality which will have guitarists swearing there are valves inside! An on-board digital 24 bit reverb module provides a lush, spring reverb ambience and the fully-buffered, ultra-transparent, series FX Loop takes care of all effects needs. The Super Crush 100 effectively mimics the huge, rich and responsive tone of the Orange flagship Rockerverb amps. See Ty Tabor (Kings X) talking about the Super Crush 100 here. It delivers all the immediacy, definition and character expected from any of Orange’s top-of-the-range valve amps. The completely new design is more than just an upgrade. ![]() Orange Amplification extends its Crush amps series with the launch of the Super Crush 100 head and combo, taking the now classic Crush Pro and moving it a big step further toward a more valve-like tone.
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